例句與造句

1. There they communed with Japanese American artists such as George Tsutakawa, Paul Horiuchi, and Takuichi Fujii.
2. Paul Horiuchi was born Chikamasa Horiuchi on April 12, 1906, in the village of Oishi, on the shores of Lake Kawaguchi, near Mount Fuji, in Japan.
3. In 1954 he and Ayame bought a large house which became his studio and a regular meeting place for friends such as Paul Horiuchi, Mark Tobey, John Matsudaira, Johsel Namkung, and many others.
4. Australian painter Ambrose Patterson arrived in 1919; over the next few decades Mark Tobey, Morris Graves, Kenneth Callahan, Guy Irving Anderson, and Paul Horiuchi would establish themselves as nationally and internationally known artists.
5. In 2003 Bernadette and Paul Horiuchi, Jr . helped dedicate Horiuchi Park, about two blocks from the site where Paul, Sr . had opened his auto repair shop in Seattle's Yesler Terrace neighborhood.
6. It's difficult to find paul horiuchi in a sentence. 用paul horiuchi造句挺難的
7. She was an avid supporter of Northwest-based artists such as Guy Anderson, Kenneth Callahan, Morris Graves, Paul Horiuchi, Philip McCracken, Mark Tobey, and George Tsutakawa, and played an important role in bringing national attention to the'Northwest School '.
8. In 1982, Gilkey's work was included in a show of Pacific Northwest artists at Osaka's National Museum of Art, along with art by George Tsutakawa, Paul Horiuchi, Guy Anderson, Kenneth Callahan, Morris Graves, Leo Kenney, Philip McCracken, Mark Tobey, and other artists chosen for their interest in the Asian tradition.
9. Among the results are massive murals by Fay Jones, Gene Gentry McMahon, and Roger Shimomura in the Westlake Station of the Metro bus tunnel; pieces by Ross Palmer Beecher in such unlikely locations as the Safeco Field hallways or a men's room at Seattle-Tacoma International Airport A magnificent glass tile mosaic mural by Paul Horiuchi forms a backdrop to the stage of the Mural Amphitheater at Seattle Center.
10. While the Abstract expressionism of the Northwest mystics turned the art world on its head in the 1950s, and George Tsutakawa, Paul Horiuchi, and Frank Okada revolutionized Asian-American art in the 1960s, Chinn remained almost defiantly committed to the style he'd developed and loved most : traditional Asian art ( often including Chinese calligraphic inscriptions ) done using Western perspective, with aspects of American realism and European impressionism.